'Garadi': Impressive cast but just another potboiler

S Shyam Prasad | NT

Bengaluru: Yograj Bhat's "Garadi" boasts a promising story, an impressive ensemble cast, picturesque backdrops, and ample resources.

It is akin to a diligent student well-versed in all exam answers, potentially aiming for distinction if not a perfect score.

However, the film seems to settle for the bare minimum needed to pass the exam, resulting in "Garadi" being just another run-of-themill potboiler. Set in the heart of traditional wrestling, where the echoes of rigorous training linger, "Garadi" explores small-town politics, drama, and action within the confines of a local gymnasium.

The film centers around the intricate relationship between a teacher and a student he refuses to mentor. Writer Vikas, who skillfully incorporated the Mahabharata's 'Yaksha Prashne' episode in Dodmane Huduga, draws inspiration from the Dorancharya-Ekalavya narrative for "Garadi."

While the narrative has potential, the director fails to transform it into a visual spectacle. Despite the impressive backdrop of the Badami cave temples and well-choreographed wrestling sequences, the film lacks the necessary buildup to showcase the game and the plot-twisting sequences.

Under the care of local Garadi instructor Rangappa (BC Patil), two brothers find themselves on divergent paths when the elder sibling is jailed after a confrontation.

Rangappa, wary of history repeating itself, decides against training the younger brother, Garadi Soori (Yashas Surya). Undeterred, Soori clandestinely masters the art of wrestling.

The town's affluent figure, portrayed by P Ravi Shankar as Shivappa Rane, desires his sons to become champion wrestlers. Similar to Dronacharya in Mahabharata, Rangappa takes o n the task but withholds the same knowledge from Soori.

The entry of the heroine alters the dynamics, prompting Soori to reveal his wrestling prowess against all odds, including his mentor Rangappa. The film navigates through this conflict to unravel the rest of the story. Several elements fall short in "Garadi."

Notably, the absence of Yograj Bhat's signature chartbusters and some mismatched casting choices result in characters appearing less ferocious and more comical.

While the film is watchable and doesn't strain the eyes or mind, the missed opportunity leaves the audience contemplating what could have been. Darshan's appearance in the climax serves as a saving grace, providing the only elevation scene in the film.

 In conclusion, "Garadi" is a passable film that falls short of its potential, leaving viewers with a sense of missed opportunities.